"I pitched them a take on it," continued Keller, "and in the same meeting I pitched them a take on it, Tarsem was in the room, he said, 'I like that take,' the studio was in the room, they said, 'We like that take,' and that minute, they commenced me writing — this is December — and they opened the art department, they opened the costume department, and they started scouting locations. All in the same minute! It hadn't even been written yet! It was all because there was a derby race. And it all happened to work. I happened to write a script that was good enough in a very short enough period of time to get Julia Roberts, and we didn't then have to wait for art and costumes because they were already going. So it was a super-cool way to write a movie."