People often write "nice" characters, but many times, a nice character comes across as bland or superficial or even dull. For a nice character to be interesting, it has to have something going on beneath the surface. You want this character to be liked, but you need the character to be interesting, maybe even intriguing. How can a nice character have subtext without becoming evil? I often get that question when I speak at conferences, but it is usually phrased like this: "What! How can my character have subtext? They're nice." The answer is simply this: Subtext has nothing to do with "nice." Stay with me here. If combining "nice" and subtext is confusing for you, then you'll love what you're about to learn. In almost every screenplay, there's a "nice" character. And it often takes more work to discover their subtext than that of an "evil" character. But once you do, you have a role that many actors will be drawn to...and you'll show up as a pro. So it is worth it. Subtext is about deeper meanings. "Nice" is how the character behaves, maybe even a character trait. Once you have established that your character is nice, from that point on, we expect them to be nice. Now, what are you going to do with that? A person could be nice, but confused at the same time. Or they could be nice, but unhappy. Or they could be nice, but be angry about some situation. Or they could be nice, but they have bad luck. BTW, these aren't the only ways to give a nice character subtext Discover the subtext in your nice character. |
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